The late David Bowie's extensive influence on fashion ranges from multiple Kate Moss Vogue covers to memorable runway moments by designers like Jean Paul Gaultier and Hedi Slimane for Saint Laurent. So it was only a matter of time before the legendary singer and actor extraordinaire's imprint hit the bridal market... right? Namely, the spring 2017 collection by Theia, which showed during New York bridal week on Thursday.
Now, Theia designer Don O'Neill
is known for incorporating cultural references into his collections.
The faux snowfall and pastel blue dress in his spring 2015 show
immediately brought "Frozen" to
mind. And this time, O'Neill really went esoteric with his inspiration,
first drawing from a futuristic-looking underwater photograph by Rafal
Makiela and Bowie's 1976 alien movie, "The Man Who Fell To Earth."
There's a very sweet backstory, too: O'Neill is getting married this
year and is feeling that "the essence of love is white light." Hence the
outer worldly theme that was also represented on what looked like a
foil covered runway and backsplash.
I'll admit to never having seen the
classic Bowie film, but a quick Wikipedia synopsis reveals that the
icon's very dapper and human-looking alien character comes to earth in
search of a water source. He ends up succumbing to very human vices: too
much sex, alcohol dependency and a TV addiction. At some point, Bowie
wears what looks like a silvery hooded bodysuit with a clear headpiece
layered over it — an accessory translated for the bridal runway as
beaded and embroidered swim caps. (Although, with the models'
warrior-esque icy blond braid-and-pony-tail combo, some of them brought
the "Game of Thrones" Unsullied Army to mind, too.)
The
outer galaxy theme could also be seen in the clear vinyl paneling (not
sure of the comfort level, but it can't be any more binding than
shapewear), iceberg-blue and silvery color palette, a python-embossed
halter gown and a wavy patterned 3-D paillette dress that actually
reminded me of the reptilian aliens on the TV show, "V." O'Neill went
super literal with the space-age motif via a silver, floral embellished
brace type thing that looked like an orbital path, sculpted metallic and
vinyl wing-like flames and a structured high-neck collar that kind of
looked like an exaggerated Elizabethan collar or a lace version of a
doggy cone. Either way, I applaud the editorial license with bridal
fashion. Weddings should be fun, too, right?
Another possible "The Man Who Fell To Earth" reference: There's a scene where a shirtless Bowie checks out his nipples in the mirror
(maybe '70s era aliens don't have those?) and I swear a long-sleeve and
very sheer embroidered illusion gown had strategically placed sequin
and bead detailing that resembled a nip. Just saying.
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